Harvey, a shaggy doodle, studio portrait on a dark backdrop

Shaggy Dog Studio · La Crosse

Your dog, shot like a cover story.

Light we build. A dark backdrop. The face that meets you at the door. Cats too.

Dogs & cats

You have four thousand photos of your dog. None like these.

Light, patience, a pocket of treats. The dog does the rest.

Ted the doodle in a straw fedora and sunglasses, studio portrait on a dark backdrop

01 · Ted

Personality, on purpose.

Hat, sunglasses, goggles. If your dog will wear it, we’ll light it.

Two doodles, Tucker and Lou, sitting side by side on a dark studio backdrop

02 · Tucker & Lou

Two dogs. One frame.

Both of them looking at the camera, at the same time. That part is our job.

A white doodle named Heathrow sitting on a wooden chair in the studio

03 · Heathrow

Sit. Stay. Lit.

A chair, a dark backdrop and one clean light. The dog is the whole picture.

A golden dog named Bob lounging on a red velvet settee in the studio

04 · Bob

The good sofa.

Red velvet, and a dog who knows exactly whose it is.

A shaggy doodle named Harvey lit by flash against a deep blue sky after sunset

05 · Harvey, after sunset

Or outside, after sunset.

We carry the light outdoors too. The sky goes blue and your dog is the brightest thing in it.

A Dalmatian running past a stone wall in Florence, Italy, motion blur, black and white

06 · Florence, Italy

We can’t walk past a good dog.

Not even on vacation. A Dalmatian and a stone wall in Florence.

Ted in a straw fedora and sunglasses, styled as a magazine cover

Next issue: your dog.

How it works

A call. A session. The artwork.

We talk about your dog first. The session runs about an hour to an hour and a half, starting with time to settle in. Then you see the portraits large, in person, and we design the wall art with you.

We’re not for everyone

Here’s the deal. We’re not for:

The phone photo at the dog park, again.

Twenty minutes at a holiday backdrop, one pose.

No props they hate. No next-dog line. No bullshit.

Your session

Bring the dog. We’ll bring the light.

Shaggy Dog StudioLa Crosse, Wisconsin

Your dog, shot like a cover story.

Dogs/Cats/Jeff & Alisha Wiswell
A shaggy golden doodle, studio portrait on a dark backdrop
Dogs & cats

You have four thousand photos of your dog. None like these.

Shaggy Dog Studio is where we point the lights at dogs. Same two people, same light we build for every portrait, aimed at the one subject in the house who has never cared about a camera. Cats too, if they’ll let us.

A shaggy golden doodle named Ted in round goggles, studio portrait on a dark backdrop
Ted
01Ted

Personality, on purpose.

Ted wore a fedora, sunglasses and a pair of goggles. He owned every one of them.

Props are optional. Personality is not. We build the light around the dog in front of us, and some dogs want a costume change.

Two doodles, Tucker and Lou, sitting side by side on a dark studio backdrop
02Tucker & Lou

Two dogs. One frame.

Tucker and Lou, side by side, both looking at the lens in the same half second.

Two dogs is not twice the work. It is patience, a second pair of hands, and treats in the right pocket. You get both of us at every session for exactly this.

A white doodle named Heathrow sitting on a wooden chair in the studio
Heathrow
03Heathrow

Sit. Stay. Lit.

Heathrow on one wooden chair, nothing else in the frame.

The simplest setup we own. Light carves the coat out of the dark and every curl reads.

A golden dog named Bob lounging on a red velvet settee in the studio
04Bob

The good sofa.

Bob, stretched out on red velvet like it was bought for him.

Some dogs sit for a portrait. Some hold court. We pose both, and the pose never looks forced.

A shaggy doodle named Harvey lit by flash against a deep blue sky after sunset
05Harvey, after sunset

Or outside, after sunset.

Harvey, in the blue after sunset, with bare trees behind him and a light we carried out there ourselves.

Available light and hope is not a plan, indoors or out. We build the light, so the sky stays deep blue and your dog is the brightest thing in the frame.

06Florence, Italy

We can’t walk past a good dog.

A Dalmatian and a stone wall in Florence, Italy, on a trip that had nothing to do with dogs.

We could not help it.

A Dalmatian resting against a rough stone wall in Florence, Italy, black and white
Florence, Italy
Ted in a straw fedora and sunglasses, styled as a magazine cover
The cover story

Next issue: your dog.

Every dog on this page was lit the way we’d light a cover. A dark backdrop, light we build, and a dog allowed some attitude. The next one is yours.

Check availability →
How it works

A call. A session. The artwork.

The call

A short call on Zoom or FaceTime. We talk about your dog: the treat that works, the sound that gets the ears up.

The session

The first stretch belongs to your dog: sniffing the studio, meeting the lights. Then we work.

The artwork

You see the portraits large, in person, and we design the wall art with you in the room.

We’re not for everyone

Here’s the deal. We’re not for:

The phone photo at the dog park, again.

Twenty minutes at a holiday backdrop, one pose.

No props they hate. No next-dog line. No bullshit.

Questions

Asked before every pet session

Do you photograph cats?

Yes. The same light, the same patience, and far less interest in the treats.

What if my dog won’t sit still?

Most don’t, at first. We give them time with the room and the lights before we start. Bring the treat they would do anything for.

How long is a session?

About an hour to an hour and a half, settling-in time included.

Can we photograph more than one pet?

Yes. Two dogs in one frame is a normal day for us. Tell us who is coming when you reach out.

When do we see the photographs?

Editing takes about two to three weeks. Wall art and albums take about six to eight weeks from design to your door.

A silver doodle from Tucker and Lou’s session, studio portrait on a dark backdrop
Your session

Bring the dog. We’ll bring the light.

Top 10 Photographer in the World · Three consecutive years